Lady Gaga has never simply arrived on a red carpet, she materialises, often with theatrical intent and cultural precision. At the 2026 Grammy Awards in Los Angeles, the singer returned to that instinctual sweet spot, delivering a look that felt less like an outfit and more like a visual thesis for Mayhem, her latest studio album.

Gaga
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Stepping onto the carpet at the Crypto.com Arena, Gaga unveiled a dramatically feathered, floor-length gown by Matières Fécales, the Paris-based independent label that has quietly become synonymous with her Mayhem era. The silhouette was unapologetically sculptural: a rigid Victorian collar framing her face, exaggerated hips that disrupted traditional glamour proportions, and a mermaid skirt that cascaded into an elongated train. It was gothic, architectural, and knowingly excessive, fashion as performance, once again.

Gaga

What made the moment particularly striking, however, was Gaga’s restraint elsewhere. Her beauty look was pared back to bleached brows, platinum hair, and a clean black manicure. Jewellery was almost entirely absent, save for her engagement ring from fiancé Michael Polansky, a personal note punctuating the drama. In true Gaga fashion, the excess was deliberate, controlled, and singularly focused.

This look did not exist in isolation. Much like Mayhem itself — a synth-heavy, disco-inflected body of work that nods to her Fame Monster era, Gaga’s fashion has embraced a darker, more deliberate aesthetic throughout the album rollout. Jet-black palettes, sharp tailoring, and experimental designers like Willy Chavarria and Hodakova have defined her recent appearances, signalling a return to fashion as narrative rather than novelty.

Gaga
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At the Grammys, the message crystallised. This was Gaga fully inhabiting her world again: gothic but polished, theatrical but intentional, and unmistakably her own. In an industry that often chases reinvention for reinvention’s sake, Gaga reminds us that the most compelling evolutions are the ones rooted in self-mythology. This was not chaos it was Mayhem, meticulously styled.

Author

Daniel Usidamen is Fashion Editor & Chief Critic at La Mode Magazine. Known for his sharp takes and unapologetic voice, he writes about runway moments, rising African designers, and the cultural pulse of fashion on the continent. Expect insight, a little sass, and zero filter.

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