Toyin Abraham has crossed a threshold that few in Nollywood ever reach and she’s done it on her own terms. With Over Sabi Aunty officially surpassing ₦1 billion in cinema earnings, Abraham enters the industry’s most exclusive club, not with spectacle, but with staying power.

Over Sabi Aunty
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Still showing in cinemas, the comedy-drama has proven that audience loyalty, when carefully nurtured, can rival blockbuster hype. At its core, Over Sabi Aunty tells a familiar Nigerian story: that of the well-meaning but relentlessly intrusive aunty whose attempts to “help” slowly unravel into chaos. It’s a character archetype audiences instantly recognize and one Abraham smartly uses as both comedy and commentary.

The film’s success has been gradual rather than explosive. Instead of relying on opening-weekend frenzy, Over Sabi Aunty has benefited from word-of-mouth momentum, social media conversations, and Abraham’s deeply loyal fan base—many of whom have followed her career from comic actress to box-office force. In an industry where longevity is often elusive, this slow burn speaks volumes.

Over Sabi Aunty

With this milestone, Over Sabi Aunty now stands as the fourth highest-grossing Nollywood film of all time. More notably, it is the first Nollywood directorial debut to cross the ₦1 billion mark, a feat that quietly reshapes expectations around first-time directors in the industry.

Abraham’s achievement is not just a personal win, it’s a signal moment for Nollywood itself. It underscores the commercial power of locally rooted stories, female-led productions, and creators who understand their audience intuitively. In a landscape increasingly obsessed with scale, Over Sabi Aunty proves that cultural specificity, when executed with clarity and confidence, can travel far.

Author

Daniel Usidamen is Fashion Editor & Chief Critic at La Mode Magazine. Known for his sharp takes and unapologetic voice, he writes about runway moments, rising African designers, and the cultural pulse of fashion on the continent. Expect insight, a little sass, and zero filter.

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